Rebecca Magar painted this acrylic piece for the album cover of the new release from The Owls Are Not What They Seem. A review of The Owls A.N.W.T.S. in Transcending Obscurity
said, “The way that everything has been recorded makes it sound like you’re sitting out in the open watching these guys channel all sorts of demons and the darker side of nature.”
This acrylic painting (inspired by the ritualistic and dark sounds of the band) incorporated a variety of literal and symbolic elements that hint at the music within. The final artwork for the album “Hearth” is dark, mysterious and ritualistic – a perfect visual representation of The Owls’ sound.